The displacement of fixed centers and rigid boundaries is a consistent theme in "Merce Cunningham: Common Time," an exhibition on view concurrently this spring at two museums: the Walker Art Center…
Dore Ashton, a prolific champion of the Abstract Expressionist movement, died on January 30 at age eighty-eight. Ashton was one of the most influential voices of the New York School, authoring over th…
Sometime in the mid-1940s, the artist Luchita Hurtado, then in her 20s, boarded a Madison Avenue bus in Manhattan to go to an opening at Pierre Matisse's gallery on East 57th Street. "There was a man…
On the occasion of the exhibition "Nam June Paik: In Character," at the San Francisco Museum of Modern Art (through January 1, 2018), A.i.A. delved into the archives. Writer John S. Margolies took on…
In our December 2007 issue, on the occasion of a traveling retrospective, critic Saul Ostrow parsed O'Doherty's oeuvre, which the artist has produced through five distinct alter egos, most notably Pat…
During the early ’70s, Laurie Anderson was a mainstay in this magazine’s reviews section, often writing several reviews every issue. With her criticism receiving a shoutout from Alanna Heiss in MoMA…
The Los Angeles–based independent press Siglio revealed today that it will move its operations to the Hudson River Valley in New York later this summer. To celebrate, on July 30 it will be throwing a…
Is there any other artist whose body is as routinely conflated with her oeuvre as Charlotte Moorman? “Discover why Charlotte Moorman was called [. . .] the Topless Cellist” is the Barnumesque lure on …