“Overview: The National Exhibition”
Both the Whitney Biennial and the Garage Triennial of Russian Contemporary Art opened in March. The Biennial is old: the current iteration is its seventy-second. The Triennial, which closed in May, wa…
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Jon Kessler
Being a Good Critic in a Bad World: Hal Foster and the Avant-Garde
The title of Hal Foster’s new book Bad New Days: Art, Criticism, Emergency is drawn from an oft-quoted maxim of Bertolt Brecht’s: “Don’t start with the good old days, but the bad new…
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Annual Report 2014: GlblVlgIdiot
A collaborative project from A.i.A’s Nov. 2014 issue offers a status update on The Web, a visionary attempt at reuniting art and life developed by a guru/entrepreneur known as the Global Village…
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Let My People Show: Welcome to ‘Jew York’
Jewish art geography, from Aleph and Arbus to Robert Zimmerman
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One Step Ahead: RoseLee Goldberg Walks the Armory
RoseLee Goldberg founded PERFORMA in 2004, and this fall the fourth edition of her critically acclaimed, inclusive biennial will open in New York. On Wednesday evening, I joined the tireless art histo…
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Jon Kessler’s New, Fast Pace
For the last few years, an exhibition of the work of Jon Kessler has entailed a whirligig installation of cutout and ephemera, with live-feed cameras and monitors that scoped out visitors in a paranoi…
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A New Creativity?
Now that the days of glitz and glamour in the art market are over, how will creativity be affected? Some artists, curators, museum directors, and dealers predict a new seriousness. Others warn…
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Newswire
RobbReport
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Frank Lloyd Wright’s One-of-a-Kind Circular Sun House Lists in Arizona
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