Issues & Commentary: Jonathan Griffin Responds
Jonathan Griffin responds to Ashley Holland (Cherokee Nation) and America Meredith regarding his feature on Jimmie Durham from Art in America's May 2017 issue.
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Jonathan Griffin
Elements from the Actual World
Jimmie Durham's wryly humorous sculptures, paintings, and drawings can be seen as the composite self-portrait of a man with a contentious relationship to all ethnic and national identifiers. …
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Tamara Henderson
Vancouver-based artist Tamara Henderson’s exhibition “Seasons End: Panting [sic] Healer” drew on journeys both geographic and psychic, and had all the dislocating strangeness of a theater wardrobe or…
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SITElines
A wall-size photograph of the amphitheater welcomes visitors to the galleries of SITE Santa Fe, which has organized a biennial since it opened in 1995. “SITElines.2016: much wider than a line” is the…
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Pentti Monkkonen
Before there were art schools and galleries in Los Angeles, there were murals. The tradition has a long and distinguished history, dating from the city’s eighteenth-century Hispanic founders, and it c…
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Explore Our Art Partners
Burn Book: On Fire by Jonathan Griffin
Ross Simonini reviews Jonathan Griffin's recent publication On Fire. Fires are real, not just mythological, and this brief, frank document about fires in artists’ studios suggests not the slightest…
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Evan Holloway
It is possible to argue—and, indeed, I heard it argued while visiting this exhibition—that Evan Holloway belongs to the first generation of artists in Los Angeles that did not look outside of Californ…
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“Take It or Leave It”
Large-scale historical shows, when done in a certain way, can be intellectual steamrollers.
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For the blind…
Confusion, and, more pointedly, the inability to understand an artwork using a given set of cognitive tools, is the subject of this travelling exhibition curated by Anthony Huberman. The titular quota…
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