Having emerged in the 1990s among a group of artists (Nicole Eisenman, Lisa Yuskavage, Ann Agee) unafraid of pressing historical styles to contemporary purpose, Walker understands the many ways the pa…
The High Museum of Art in Atlanta, Georgia, has acquired Kara Walker’s The Jubilant Martyrs of Obsolescence and Ruin (2015), a 58-foot-long cut-paper piece that, like much of the artist’s…
It risks oversimplification to read the recent group show “Encoded” as a rejoinder to the racially charged controversy around Kelley Walker’s fall retrospective at the Contemporary Art Museum St. Loui…
What can “Unfinished Conversations: New Work from the Collection,” the Museum of Modern Art’s show of recent acquisitions by 15 contemporary artists, tell us? For one thing, MoMA wants…
In the Jorge Luis Borges story from 1945, “The Aleph,” we are told of a sphere, secreted in a dark cellar, in which all the spatial infinitude and plenitude of the world can be…
Since the 1960s, Larry Walker has pursued a rigorous artistic practice, often portraying humanbodies and landscapes under duress. Raised in Harlem and educated in Detroit, he has lived since the…
More than halfway through “Blackness in Abstraction,” an austere photograph by Carrie Mae Weems posed a Mies van der Rohe leather daybed—conjuring a truant psychoanalytic patient, perhaps—against a wa…
Over on MoMA’s website is a list of what the museum has acquired over the past fiscal year. While some of the major acquisitions have already been announced, like Richard Serra’s…