Bruce Nauman
Bruce Nauman provokes mixed emotions by creating situations rather than presenting figures for us to fear, pity, or empathize with.
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Kathy Halbreich
The World Catches Up to Bruce Nauman: A Review of His Retrospective at the Schaulager
After a run in Basel, Switzerland, it opens at the Museum of Modern Art and MoMA PS1 in New York on Sunday, October 21.
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‘This All Makes Me Sad’: Artists and Museum Professionals Vexed by Imbroglio at MOCA L.A.
Questions remain in the wake of the firing of curator Helen Molesworth by director Philippe Vergne.
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Wall Talk: Do We Even Need Museum Wall Labels?
There was a time when the labels and texts in museum shows were matter-of-fact explanations—the artist, title, date, medium, and then a few informative words from the curator. But as exhibitions have…
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Chantal Akerman, Revolutionary Feminist Filmmaker and Video Artist, Dies at 65
Chantal Akerman, the Belgian filmmaker who introduced a previously unseen female perspective on domesticity to cinema, and whose video installations dealt with personal histories, died sometime…
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MoMA Curators Ponder Polke Potato Problem
MoMA's Polke retrospective is up through August, but the potatoes in his works won't last that long. Will they rot? Will they sprout? Stay tuned
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MoMA’s Kathy Halbreich Is Connecting the Polke Dots
The museum's associate director has organized the first exhibition to unite work in all mediums by the elusive German artist Sigmar Polke
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The New Serenity
Architects who design museums have been retreating from explosive innovation to favor classicism, tranquillity, and a more restrained Modernism.
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Making Art Speak
Three museum directors discuss the challenges, thrills, frustrations, and future of their profession. Three museum directors discuss the challenges, thrills, frustrations, and future of their…
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The Incredible Growing Art Museum
In a multibillion-dollar building boom, museums around the globe are erecting new structures or expanding their current homes. As they tailor themselves to accommodate bigger art, larger crowds, and…
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