Remastering the Old Masters
How curator Keith Christiansen succeeded in giving the Met's European paintings galleries a fresh new look
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Keith Christiansen
Why It’s a Michelangelo
A painting in the Metropolitan long attributed to the circle of Francesco Granacci is really by Michelangelo— according to experts who cite underdrawings, imagery, and aspects of the artist's own…
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Who Was the Real Artemisia?
She modeled for her father, became one of the most successful Italian painters of the 17th century, and has sparked the imagination of contemporary novelists and filmmakers. Now the Metropolitan…
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