High-profile exposure has been a long time coming for Outterbridge, underscoring the critical ghettos into which the mainstream American art world continues to relegate much black American art.
Since my preview of "The Female Gaze" and my review of "Now Dig This!" are readily available online at the New York Times website and elsewhere, I hope readers will judge for themselves whether or…
"If you remember the '60s," the old joke goes, "you weren't there." Ken Johnson, today a widely respected art critic for the New York Times, was not only present but—despite inhaling and taking a…
Swiss prankster Olaf Breuning navigates between the sublime and the ridiculous in films, sculptures, and multimedia works that take on everything from Easter Island to Woody Allen.