The title of the 2014 Taipei Biennial, "The Great Acceleration: Art in the Anthropocene," translates into the cultural arena an idea that has become increasingly accepted among scientists. …
The annual Migrating Forms film and video festival kicked off on Wednesday with the U.S. premiere of Ryan Trecartin's Venice Biennale hit, Junior War, Comma Boat, CENTER JENNY, Item Falls (2013)…
Eight weeks into Greater New York Cinema, P.S.1's 20-week sidebar highlighting the past five years in film and video, comes a reprise of Brooklyn-based Jessie Stead's 2006 "structuralist road movie," …
Tonight at Anthology Film Archives in New York, Migrating Forms—the art-meets-cinema form born from the former New York Underground Film Festival—returns for its second annual year. Migrating Forms…
Lars Laumann's solo New York debut at Foxy Production is a deep, polyvalent inquiry of, in a word, transcription. The two videos and two lithographs on view forward a riddling chain of propositions ab…
There are people who make a living of critiquing spectacle, who pump unspectacular phenomena with predictable criticisms of their meanings, consequences, or perceived lacks thereof. Virtually immune t…