Tropical Fantasies, Dark Histories
Ward's repurposed objects report on loss, while his meticulous repetitive processes, applied to materials that seem valueless, offer a kind of recuperation. Broiler pans panel the wall in Iron…
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Kirsten Swenson
Fred Eversley
When I visited this exhibition of thirteen works by Fred Eversley, the black, white, and gray polyester resin and acrylic sculptures that serve as the show’s focus reflected the New England winter sun…
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Edgar Arceneaux
Arceneaux’s immersive, theatrical works reveal complex, lost storylines of the post–civil rights era United States and cast us as witnesses to the lies, redactions, iconizing, and forgetting that has…
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Robert Irwin
In 1970, Robert Irwin gave up his studio and sold his art supplies. The midcareer painter and sculptor “simply stopped being an artist in those senses,” as he told Lawrence Weschler for the classic bi…
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Lorraine O’Grady
At the time, it seemed unremarkable to walk onto the Harvard campus to view "Lorraine O'Grady: Where Margins Become Centers," tucked inside the Carpenter Center, America's sole Le Corbusier-designed b…
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Explore Our Art Partners
Leap Before You Look: Black Mountain College 1933-1957
The deeply researched exhibition “Leap Before You Look: Black Mountain College 1933-1957” at the Institute of Contemporary Art, co-organized by Helen Molesworth and Ruth Erickson, gives a measure…
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Agnes Denes
Smashing an animal skull with a femur bone, an ape in Stanley Kubrick’s 2001: A Space Odyssey enacts a critical moment in human evolution: the discovery of a tool instantly giving way to a deadly wi…
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M.K. Guth
Among the megaresorts that line the Las Vegas strip, gambling is increasingly being recast as just one of a dozen forms of entertainment and culture. Now, slot machines and blackjack tables are some…
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Geoffrey Farmer
Geoffrey Farmer's recent exhibition at REDCAT evoked some of the messier, more perverse doings of the 1960s and '70s. The title, "Let's Make the Water Turn Black" (perhaps a reference to excretion o…
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David Hammons
David Hammons finds art where it lives and inserts himself as participant and provocateur. In 2007, that happened to be at L&M Arts, a gallery specializing in secondary market sales of 20th-century…
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