Ramberg cultivated a brand of figuration that combined a Pop sensibility with graphic, mechanistic forms, which she deployed, rigorously and pointedly, in somber renderings of cropped female bodies.
Anna Daučíková's exhibition at KW was largely devoted to photo- and video-based works from the late 1980s to the present that explore the Slovakian artist's queer identity.
Curator Gabi Ngcobo opens her introductory essay for the catalogue of the tenth Berlin Biennale by invoking an empty pedestal: that which once held a statue commemorating the nineteenth-century…
The KW Institute for Contemporary Art announced a new artistic team today, with Anna Gritz, Leaver-Yap, Tirdad Zohlgadr, Maurin Dietrich, Cathrin Mayer, and Marc Hollenstein joining the Berlin