The cover of our June/July 2016 issue features a text work by Ed Ruscha. We looked back to our October 1982 issue, in which Carrie Rickey wrote on the artist's traveling retrospective organized by the…
East Los Angeles College announced today that Pilar Tompkins—the former coordinator of curatorial initiatives at the Los Angeles County Museum of Art—has been hired as director of the college…
It seems difficult to reevaluate Robert Mapplethorpe’s career today, partly because the furor over the cancellation of his first retrospective at the Corcoran Gallery in 1989 inspired such thoughtful …
Whether they knew it or not, the producers of Mad Men lifted their opening-credit graphics—the silhouette of a man in a tie and white dress shirt—right from the work of Idelle Weber. Weber…
Dutch designer Daan Roosegaarde's energy-conscious projects—a bike path, condensed-smog jewelry, an outdoor air cleaner, an illuminated dance floor and various large-scale urban light projections—posi…
Twenty-six years ago, Robert Mapplethorpe’s BDSM photographs were successfully defended in court as elegantly rigorous artworks that transcend their maverick origins. But did that normalizing rational…
With so many shows about art and the Internet lately, it’s hard to remember a time when it was unexpected that artists would ever rely on machinery and electronics, but, in 1971, when the Los…
In Diana Thater's survey "The Sympathetic Imagination," organized by the National Gallery's Lynne Cooke and LACMA's Christine Y. Kim and gathering work made between 1992 and the present, the artist fl…