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Leo Koenig

Julika Rudelius

Recently on view in the project room at Leo Koenig, Julika Rudelius's Rites of Passage (2008) is a two-channel video installation about the fabrication of political persuasiveness.

Ridley Howard

To use the parlance of Herman’s Hermits, there was a kind of a hush that pervaded Ridley Howard’s exhibition, aptly titled “Slows.” The work resonates with a palpable silence that’s hard to pinpoint…

Sigmar Polke

Photography meant many things to Sigmar Polke. At two important junctures of his career, he turned to it as a model for refashioning painting: his early "raster" pictures were entropic enlargements…

Nicole Eisenman

Overt art-historical referencing in contemporary art, whether intended as a critique or an appreciative nod to the source, can come off as navel-gazing. And for all its punkish chutzpah and critical a…