‘Ruins have been ruined,” proclaimed an early April headline in the New York Times. The Times had sent a photographer to Palmyra, the 2,000-year-old archaeological site in Syria that had…
A few months ago, on the heels of a merger with BMP Media Holdings, we at ARTnews announced that our magazine would become a quarterly. To many of our readers this understandably may have come…
There are major streets in downtown Miami that have been effectively hollowed out by development, impossible to traverse and made useless in the name of progress. It is a city of luxury
The plan was that, on a Wednesday morning in July, I would take the bus to Southampton, New York, where a publicist would pick me up and drive me to the Watermill Center about five minutes…
One recent afternoon, I was sitting in a room in Yoko Ono’s apartment in the Dakota building on the Upper West Side of Manhattan, waiting for her to arrive. The apartment was dark, but this…
On a recent afternoon, Dylan Brant, stepson of media mogul and art collector Peter Brant, whom he refers to as “Dad,” was in the office at Venus Over Manhattan, Adam Lindemann’s gallery on…
Readers of a certain age will probably know Marshall McLuhan best for his cameo in Annie Hall, in which the Canadian-born media scholar appears suddenly to chastise an annoying member of a…
The most recently published piece in Renata Adler’s collected nonfiction, After the Tall Timber (New York Review Books), is a curious defense of the serial plagiarizer Jayson Blair by way of…
With the publication in 2013 of her celebrated second novel, The Flamethrowers, Rachel Kushner earned the rare distinction of becoming a crossover novelist embraced by the art world. It…
“Rock music is all about repression,” Kim Gordon wrote in the catalogue for the artist Mike Kelley’s 1993 retrospective at the Whitney Museum. Thankfully, though, Gordon holds nothing back in…