Diana Nawi, Pablo José Ramírez Named as Curators of 2023 Made in L.A. Biennial
Organized by the Hammer Museum, the biennial boosts local talent to international fame.
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Made in L.A.
John Waters Gives Collection Baltimore Museum, Made in L.A. Opens, and More: Morning Links from November 12, 2020
Here's what we're reading this morning.
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Made in L.A., Closely Watched Biennial with a Spotlight on California, Reveals Artist List for 2020 Edition
The exhibition opens in June and continues through August.
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A Multiplicity of Perspectives: ‘Made in L.A. 2018’ Succeeds by Refusing to Define a Los Angeles Aesthetic
Hammer Museum, Los Angeles, through September 2
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The Messenger: How a Video by Arthur Jafa Became a Worldwide Sensation—and Described America to Itself
After its debut at a gallery in New York, Love Is the Message, The Message Is Death has resonated around the world.
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Hammer Museum Names Adam Linder Winner of $100,000 Mohn Award
Los Angeles’s Hammer Museum announced today the winners of its Mohn Awards, which are given to artists in its “Made in L.A.” biennial. The 2016 winner of the $100,000 prize is something of…
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A Look at the Hammer’s ‘Made in L.A.’ Biennial
[d3-source canvas=”wpd3-58854-0″] In 2012, the Hammer launched Made in L.A., a biennial focused on Los Angeles. Some 61 artists and collectives working primarily in that…
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Hamza Walker and Aram Moshayedi Will Curate 2016 Made in L.A.
The 2016 edition of the Hammer Museum’s biennial, “Made in L.A.,” will be organized by Aram Moshayedi, a curator at the museum, and Hamza Walker, the director of education and associate…
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Hammer Announces, Winners of $150,000 in “Made in L.A.” Awards
Los Angeles's Hammer Museum has tapped Alice Könitz's project, the Los Angeles Museum of Art (LAMOA); Magdalena Suarez Frimkess and Michael Frimkess; and Jennifer Moon for its "Made in L.A. 2014" aw…
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Loosening Up the Edges: Interview with “Made in L.A.” Co-curator Connie Butler
The Hammer Museum's second "Made in L.A." biennial will feature five artist- or curator-helmed organizations, because the biennial's organizers chose to invite certain venues that struck them as…
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