Critics and art historians often take Édouard Manet to be the first master of reification, the original modern painter. Evidence of that mastery is intermittent at best in the exhibition "Manet and…
"Posing Modernity," an interventionist exhibition curated by art historian Denise Murrell, proposed a counter-narrative of modernism rooted in the legacy of Laure, the model for the black maid in…
“This!” Deborah Kass said to me last Wednesday evening, as if it were obvious. We were standing on the steps of the Temple of Dendur, trading favorite museums. She gestured at the sprawl of…
On the 150th birthday of Manet's two most scandalous paintings, a show and a conference track the afterlives of the nudes, the dudes, the maid, and the cat