"Michelangelo Eye to Eye" is the English title given to the final work of Michelangelo Antonioni, a brief documentary of 2004 in which the frail, 92-year-old director communes with his namesake's grea…
I’d like to believe that New Orleans stands a chance of escaping the fate of Venice. In that spirit, I wish Prospect.2 every success. But I really can’t wait to see Prospect.2.5.
Not that Calder ever sank into obscurity. Pace Gallery has shown his work faithfully since the mid-1980s; his Circus was on seemingly eternal view in the Whitney Museum lobby.
Prompted by the June opening of the sixth Berlin Biennale, I traveled to the city for the first time-unfashionably late, I know. Opening the catalogue at the preview, I found a schematic street map in…
The museum’s ground floor presented only an entwining couple moving slowly through a sequence of upright and recumbent poses. You might have recognized a brief tableau vivant of Klimt’s mosaic kiss…
Piss Christ, the X Portfolio and now Spiritual America: the culture wars have a new Bull Run. On Sept. 30, days before the public opening of Tate Modern’s exhibition “Pop Life: Art in a…
Commercial movies have long been the foil and fodder for artists working with video and film. By comparison, few have found anything of interest in the history of painting.
On June 7 the Venice Biennale, mother of all recurring international exhibitions, will enjoy its traditional public opening, a festive Sunday ceremony aimed at welcoming the local community. Even in t…