In "Waiting for the Light," Spanish filmmaker Pedro Almodóvar presented twenty-four sharp-focus photographs of gleaming glass or ceramic vessels set against a gray wall or brightly hued monochrome…
In a 2009 Tate roundtable discussion, curator Anda Rottenberg, formerly the director of Warsaw’s Zachęta—National Gallery of Art, remarked on the fate of Polish art in the aftermath of 1989…
Most young painters seem able only to reflect on their inability to do what Frank Auerbach does: construct equivalents of observed reality which do not seem naive, oblivious, obsolescent or reaction…