The first thing I encountered in “Gerhard Richter: Painting After All” was not in fact a painting, but my own reflection, or something like it: a blurred form thrown back at me by 11 Panes (2004)…
What one feels while in the presence of Beer's warbling vessels is a touching superfluity: the sense that these things have been singing, alone, for eons, and will continue to sing long after we…
Minneapolis-based artist Siah Armajani's first retrospective in the United States, "Follow This Line," takes its title from a childhood memory: in prerevolutionary Iran, Armajani and his friends…