#MeToo is often cast as a radically new development in the struggle for women's equality, one reliant on social media. But a surprising precedent for today's call to action can be found in a small…
Not all Chinese women who support the #MeToo movement in China would identify as feminist, and not all Chinese women who do identify as feminist are dissidents.
Over the last twenty-five years, Ghada Amer has developed a body of work centered on installations and embroidered paintings exploring women's self-determination and sexual independence.
Marlene Dumas's painting Drop (2018) is a close-up portrayal of a woman. Her skin has a faint blue tinge, and concentric rings surround her head, suggesting an aura or halo.