The story of Constantin Brancusi (1876–1957) and America is long and rich, though to date told only in parts. The artist's innovations are so numerous—and so apparently contradictory—that doubts can…
From George Inness, who “translates just the light and feeling of a fixed hour,” to Vincent van Gogh, whose cypresses are like “voices of aspiration, joy or fear,” to Jackson Pollock, who…
“Dennis Oppenheim: Terrestrial Studio,” this summer’s major exhibition at Storm King Art Center in New Windsor, New York, focuses solely on the artist’s unique engagement with the land. While not a fu…
As A.i.A. senior editor William S. Smith pointed out in his essay on Michael Heizer (whose 1970 installation Actual Size: Munich Rotary is on view at the Whitney Museum of American Art through April…
At New York’s Whitney Museum, a full-scale 1970 photographic projection by Michael Heizer brings home the immersiveness, the being-there (even if only vicariously), that is essential to the Land art a…
In big country you do not see in the ordinary way. There is no "middle distance," only "near" and far," the dust at your feet and the haze on the horizon.