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Est. 1902

Michael Snow

Film: Literal Illusions

The camera is trained on a paper scrim shot in negative. For a moment, a white field fills the frame, its expanse perfectly monochrome save a tremor of scratch and grain. Then the space is…

Michael Snow

The Philadelphia Museum exhibition "Photo-Centric" imagines Michael Snow's long-standing photographic practice as Wavelength's final image: central from the outset, but persistently neglected until…

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