Throughout her writing and filmmaking, Moyra Davey iterates the words of artists and writers she admires. Their phrases and sentences repeat, much like the serial motifs and formats one sees in her…
Pat Hearn and Colin de Land's galleries were deconstructing themselves and received art history in real time, operating in a constant state of autocritique.
In Les Goddesses / Hemlock Forest, published by Dancing Foxes Press and Bergen Kunsthall (2017), Moyra Davey presents two texts that served as the basis for two videos of the same names, produced in…
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out…
Moyra Davey’s first show with Murray Guy was an engrossing demonstration of the camera’s ability to isolate detail, organize content and serve agendas both simple and complex. Since the early ’90s, th…