For six decades, the Syrian-born artist has brought a quiet sense of tragedy, derived from ancient art and epics, to the global contemporary art scene.
In a strange twist of fate, Diedrick Brackens's new weavings arrived in the world at about the same time as COVID-19, a disease that, like AIDS, disproportionately affects black Americans.
Using extruders, piping bags, and palette knives, Summer Wheat pushes acrylic paint through framed pieces of aluminum mesh, producing stippled images on the other side that appear to be tapestries.
Marlene Dumas's painting Drop (2018) is a close-up portrayal of a woman. Her skin has a faint blue tinge, and concentric rings surround her head, suggesting an aura or halo.
Through his "naive" eyes, Qiu allows us to glimpse a more organic version of technology, and perhaps to begin to discover a path out of technology's totalizing reach.
For Savinio, myth was not simply a set of discrete tales, but rather "an iridescent vapor" that could transform—like Ovid's poetry—even the most familiar entities.