In 1963, Faith Ringgold was 32, the mother of two daughters, and on the hunt for a gallery to show her work. To say that it was difficult for black artists to find gallery representation at that
Long marginalized by their community and overlooked by the art market, African American abstractionists are finally coming into the spotlight
Donna Dennis has been creating "architectural sculpture" since her first commercial gallery show, at Holly Solomon in New York in 1975.
Provoking feelings of awe—and awww, Ugo Rondinone's modern megaliths are among the public artworks redefining the idea of the monumental
“The Deconstructive Impulse: Women Artists Reconfigure Signs ofPower, 1973-1991,” organized by Helaine Posner and NancyPrincenthal for the Neuberger Museum, is a highly entertain…