Artists in "Songs for Sabotage" offer evocative and challenging works that dwell on the ambiguity and alienation of the present, and on the colonial violence on which the present is founded.
Today art festivals—biennials, triennials, and so forth—are so pervasive, it feels as if a major one is happening each week. But even in the late 1990s, when biennial fever had yet to peak, there was…
“Surround Audience” focuses heavily on work that reflects a climate in which hyper-connectivity and new technologies have redefined the roles and practices of artists, leading to what many have cursor…