A woman in a sparkly top glared disapprovingly as I pulled a Hyundai Elantra rental car into a space between a Maserati and an Escalade at the Art Southampton fair late Saturday afternoon. In front…
And other excerpts from our coverage 100, 75, 50, and 25 years ago
“More is more” seems to be the default setting for a lot of painting and three-dimensional work made since the late 1960s.
A charismatic presence in the New York avant-garde since the early 1970s, Alice Aycock, who studied with Robert Morris and Tony Smith at Hunter College, is well known for her monumental, architectonic…
Michelle Stuart has been grappling with ideas of land and space, history and myth, the atomic and the cosmic for more than four decades. Born in Los Angeles in 1933, Stuart spearheaded the use of non…
By the time Dorothea Rockburne had her first solo exhibition, in 1970, she had already contributed to critical developments in the postwar avant-garde. As a student at Black Mountain College in the …
When Dorothea Rockburne, currently the subject of a retrospective at the Parrish Art Museum in Southampton, first began making her paintings and works on paper in the 1950s, she never thought that h…
In this week's bulletin, Alexandra Peers debates the Parrish Art Museum's new digs, and brings you the latest in Abstract Expressionism.