Summer in the Artful Hamptons
Summer is short and busy in the artful Hamptons. Now more than ever, there are high-quality galleries, sophisticated museum shows, performances, temporary exhibition spaces, pop-up events, and charity…
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Parrish Art Museum
‘Offshore Art’ Emerges as Possibly Legit Historical Movement (and Robert Wilson Gets a Little Weird) at the Parrish Art Museum Gala
The Parrish Art Museum MidSummer Party in the Hamptons last weekend had a decidedly marina-heavy theme. Part of the celebration was “Radical Seafaring,” a group show of works all related to…
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Chris Siefert Named Deputy Director of Parrish Art Museum
The Parrish Art Museum announced today that Chris Siefert will be its deputy director. He starts his new position at the Water Mill, New York museum on July 1. Siefert comes from…
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‘Jane Freilicher and Jane Wilson: Seen and Unseen’ at Parrish Art Museum
Pictures at an Exhibition presents images of one notable show every weekday
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A Weekend in the Hamptons: The Parrish Midsummer Party, Art Southampton, and Market Art+Design in Photos
A woman in a sparkly top glared disapprovingly as I pulled a Hyundai Elantra rental car into a space between a Maserati and an Escalade at the Art Southampton fair late Saturday afternoon…
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Retrospective: Philip Guston on Piero della Francesca
And other excerpts from our coverage 100, 75, 50, and 25 years ago
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Alan Shields
“More is more” seems to be the default setting for a lot of painting and three-dimensional work made since the late 1960s.
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Alice Aycock
A charismatic presence in the New York avant-garde since the early 1970s, Alice Aycock, who studied with Robert Morris and Tony Smith at Hunter College, is well known for her monumental, architectonic…
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Earth Tones: An Interview with Michelle Stuart
Michelle Stuart has been grappling with ideas of land and space, history and myth, the atomic and the cosmic for more than four decades. Born in Los Angeles in 1933, Stuart spearheaded the use of non…
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Dorothea Rockburne
By the time Dorothea Rockburne had her first solo exhibition, in 1970, she had already contributed to critical developments in the postwar avant-garde. As a student at Black Mountain College in the …
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