The centerpiece of Troy Brauntuch's exhibition is a set of thirty-two photo-engravings depicting installations of academic landscapes, neoclassical nudes, and equine statues in the marble-accented…
Moving into a new Upper East Side space, the German-born mover behind Wade Guyton and Charline von Heyl avers, "It's an enhancement, not an enlargement."
In "Strategic Vandalism: The Legacy of Asger Jorn's Modification Paintings," curators Axel Heil and Roberto Ohrt framed Jorn's practice of détournement as a kind of ground zero for various strains of…