Shifting Styles and Moral Steadiness Made Philip Guston a Lodestar for Artists Today
Guston encourages artists to change their work, to examine their relationship to evil, and to revel in their own ambivalence about the meaning of art.
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Philip Guston
National Gallery of Art Plans 2020 Traveling Philip Guston Retrospective
Also on the horizon are a new Hauser & Wirth show, a catalogue raisonné, and more publications.
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From the Archives: Excerpts from Irving Sandler’s Reviews and Essays for ARTnews
The late critic on Adolph Gottlieb, Joan Mitchell, Grace Hartigan, and more.
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From the Archives: Philip Guston on Piero della Francesca, in 1965
With a Philip Guston show currently on view at Venice’s Gallerie dell’Accademia, we turn back to the May 1965 issue of ARTnews, in which Guston himself mused on the work of the 15th-century Italian pa…
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Painting Politics: Philip Guston, Kerry James Marshall, and Beverly Buchanan Picture America
A week before the 2016 presidential election, Hauser & Wirth gallery opened the exhibition "Philip Guston: Laughter in the Dark, Drawings from 1971 & 1975." Organized by Sally Radic, of the Guston…
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Philip Guston Show at Gallerie dell’Accademia in Venice Waxes Poetic
There is something immensely charming about sitting in an Italian art institution that dates to the 17th century, the Gallerie dell’Accademia, and watching a film of Philip Guston walking around…
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Venice’s Grand Gallerie dell’Accademia Will Stage a Guston Show During the Biennale
Every two years, when the Venice Biennale opens, the museums, galleries, and foundations of La Serenissima compete for attention, aiming to mount their finest shows. Today the Gallerie dell'Accademia…
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Philip Guston at Hauser & Wirth, New York
Pictures at an Exhibition presents images of one notable show every weekday
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‘Evidence of Authentic Struggle’: Eleanor Heartney on Philip Guston’s Drawings, in 1988
AÂ show of Philip Guston’s Richard Nixon drawings opened this week at Hauser & Wirth in New York, so we are turning back to the December 1988 issue of ARTnews, in which Eleanor Heartney reviewed a…
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