On January 17 at the San Francisco Institute of Art, Cristóbal MartÃnez of the collective Postcommodity spoke to A.i.A.'s Brian Droitcour about The Point of Final Collapse, a sound installation that…
The work plays with scale to make tangible ongoing phenomena that are otherwise difficult to grasp in their totality.
The closely followed group's latest work is a commission for the Art Institute in the city.
The organizer of this year's Toronto Biennial, Hopkins has written that art "allows us to hear in moments of silence, to open our ears rather than to close them."
On each day of the 57th Carnegie International's run, two calligraphers sit at easels in the center of a first-floor gallery. A projector beams words onto pieces of heavy-stock paper to be traced in…
See images from one notable show every weekday.
The exhibition, which includes more than 30 artists, runs through March 25, 2019.
Fellowships were awarded to 25 recipients from a variety of creative fields.
Long before the forty-fifth president of the United States rolled out his demonstrably preposterous plan to build a security wall stretching two-thousand-plus miles across the country’s border with Me…
In 2012, the three-person collective Postcommodity began having conversations with United States Border Patrol officials. The artists—Raven Chacon, Cristóbal MartÃnez, and Kade L. Twist—were…
