T. Venkanna’s show of paintings at Gallery Maskara offered a vibrant pastiche of sexual and pornographic images often referencing art history and popular culture.
Ohtake (b. 1955) was the first of Japan’s neo-Pop artists on the international art scene in the early 1980s. Many argue he might even be the most important.
A traveling survey of the sculptor's drawings reveals a preference for the decorous and even decorative—an inclination at odds with the ambitions ascribed to her public works.