If one had to name a single idea or type of experience underlying all of Wilkes's production, it would be that of poverty: not just the absence of money in itself, but the kind of poverty that is a…
Examining Agnes Martin's traveling retrospective, her recent biographer considers how the formal and spiritual universals the painter sought arose out of the personal conditions she suppressed.
The "lights out" factory—devoid of humans, run entirely by machines—has long been a dream for industrial manufacturers. Twenty-five-year-old, New York-based artist Wyatt Niehaus describes it as "an…