Simon Castets, the French-born director and curator at New York's Swiss Institute (SI), arrived on this gray Friday morning at NADA New York wearing white Converse sneakers for comfort during his…
In her catalogue essay accompanying Richard Tuttle's 2005 exhibition at the San Francisco Museum of Modern Art, curator Madeleine Grynsztejn locates Tuttle, with his spare works, simple materials an…
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out…
Artist Richard Tuttle met with curator and writer Piper Marshall to discuss these dichotomies in his work, which is on view now at Pace Wildenstein now in an exhibition entitled Walking on Air.
From Tom Friedman's eraser shavings to Rob de Mar's minuscule waterfall to Adia Millett's tabletop dollhouses, intimately scaled sculptures are making a large impact.
It used to be simple: wet paint on a flat surface. No more. Today painting can include photography, digital prints, sculpture, and a host of other materials—but not necessarily paint.