The House Always Wins: A Documentary on the Art Market
Nathaniel Kahn's film is all smoke and Koonsian economics. The only thing sacred in the world he shows is money.
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Clean, Well-Lighted Places: On Our Nostalgia for the Golden Age of Art Dealing
The notion that collectors sit atop the hierarchy of today’s art world is axiomatic. They build private museums and control the boards of traditional ones. Through their acquisitions…
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