The retrospective “Robert Rauschenberg: Among Friends” that appeared earlier this year at Tate Modern, in London, and is now at the Museum of Modern Art in New York through September 17 led us…
Rochelle Feinstein isn't one to wait around for the academy to get a bead on her. With not a single major museum exhibition, nor anything resembling a substantive catalogue to document her prolific…
In past years, Nathaniel Robinson created stand-alone sculptural objects such as an untitled polyurethane-resin version of a Styrofoam cup (2009) that was a dead ringer for the original, down to the…
Xylor Jane gets up absurdly early each morning to begin painting, all the better (she claims) to access the unconscious forces that tend to be accessible at that hour. (The title of her show—her thi…
I first saw Martin Wilner's work in 2005 at Pierogi Gallery in Brooklyn. I was particularly struck by a notebook-sized drawing in which Wilner documented his impressions of a trip he and his Holocau…
For the installation of this strong, spartan solo show, painter Erik Saxon provided the gallery’s director, Matthew Deleget, with careful instructions. In pencil, he rendered the placement of each w…
For the past 10 years, Elana Herzog has been creating impressive interventions out of ripped and otherwise deconstructed domestic fabrics that seem to grow seamlessly out of a room's corners, cling…
Most of the reviews you’re likely to read about Olivier Mosset, conceptual/minimalist/anti-art painter, begin with a history lesson—a well-padded rundown of this prolific 66-year-old artist’s career…