Collaboration has been central to the Swiss-born, Tucson-based Olivier Mosset's work at least since he co-founded BMPT (Buren, Mosset, Parmentier and Toroni) in Paris circa 1966. That group sought to…
An early work by Karthik Pandian, Darkroom (2008), consists of a labyrinthine set-up of scaffolding and panels. Within this, projectors screen 16mm film of inter-spliced glimpses of sites in Berlin…
Paul P.'s portraits-romantic and sensual but not explicity sexual paintings, primarily featuring young men-are elusive, sensitive incidents amidst a saturated genre. They are also thoroughly researche…
Cookies, a Botticelli monograph and gold jumpsuits are just some of the disparate objects currently located in PS1's rotating gallery space. Curated by ICI (Independent Curators International) directo…
The first person to receive the key to New York City (Viscount Cornbury in 1702) has gone down in the history books as being a corrupt degenerate who took bribes and misappropriated government funds…
For the last few years, an exhibition of the work of Jon Kessler has entailed a whirligig installation of cutout and ephemera, with live-feed cameras and monitors that scoped out visitors in a paranoi…
Whether filled with concrete or crotchless, the depiction of fabric in David Rimanelli's exhibition, "Denim," at New York University's 80WSE Gallery extends well beyond the bounds of the material. Usi…
January is not so much a re-set as an official half-time for international gallery openings. Collectors, one hopes, are back in business, rejuvenated and back in their home cities. But being as this s…
Star Trek, Caravaggio and Bataille were just three of the talking points at Friday night's panel talk at the Whitney Museum, featuring art historian Lytle Shaw, lighting designer Richard Renfro and…