One of the longest articles in this week’s New Yorker has an unlikely subject: the Whitney’s conservators. Written by novelist and MacArthur Fellow Ben Lerner, the piece is about the trials…
The October 5 edition of The New Yorker contains a profile of the controversial conceptual poet Kenneth Goldsmith in which he states that, in regards to his early text-based artworks, “nobody…
In the August 10 issue of The New Yorker, there is an emotionally complex piece about of the life, work and relationships between the artists Barry McGee, Clare Rojas, and the late Margaret
This week’s New Yorker has a brief story about Aby Rosen, the real-estate investor, art collector, and landlord known for battling with some well-known tenants. This week, Emma Allen has a…
The most recently published piece in Renata Adler’s collected nonfiction, After the Tall Timber (New York Review Books), is a curious defense of the serial plagiarizer Jayson Blair by way of…
Perfectly timed to coincide with Art Basel Miami Beach, D. T. Max has profiled the indefatigable curator Hans Ulrich Obrist, the co-director of London’s Serpentine Galleries, for this week’s…
The spectacular, panoramic, pasted-paper mural that Saul Steinberg created for the American Pavilion of the 1958 Brussels World's Fair is reassembled for the first time at the Ludwig Museum
With an ever-growing number of galleries scattered around New York, it's easy to feel overwhelmed. Where to begin? Here at A.i.A., we are always on the hunt for clever, memorable shows that stand out…
Art dealer Casey Kaplan firmly believes that galleries are more than just shops. As the initiator of New York Gallery Week, Kaplan said at last night's press preview for the second annual event…