One could speculate that the Shed's figuring of Agnes Denes as an unclassifiable savant more in league with Renaissance humanists than with her direct contemporaries serves in part to bracket the…
Disputes about the distribution of arts funding within New York may come across as parochial outside the city. But the centralization of cultural resources is also taking place on a national scale…
Conceived for the impossible task of serving as an alibi, if not an apology, for the $25-billion development at New York's Hudson Yards, the Shed, the 200,000-square-foot nonprofit art space that…
Trisha Donnelly's inscrutability is legendary. She largely forgoes press releases and other sorts of exhibition didactics describing what the artwork is and how it is intended to be interpreted, and…