Tiona Nekkia McClodden's layered curatorial approach highlights the exchanges within Barbara Hammer's pioneering work on lesbian intimacy and identity.
"In many instances, the Biennial opens up space for subjectivity to be rendered through multiplicity—and perhaps in ways not attainable to certain viewers."
"I was feeling really invisible up until like the last three years. And I know I'm not the only black dyke photographer. I would go to the art fairs, to museums, to galleries, and I didn't see…