Travis Jeppesen on Joe Bradley
"No one does shit like Bradley. Probably no one else is brave enough."
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Travis Jeppesen
Performance: Time Out
The enduring legacy of Tehching Hsieh, who will represent Taiwan at the Venice Biennale this year, rests on five grueling yearlong performances that he completed in New York between 1978 and 1986…
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Cinema: Film Brut
Wang Bing’s long-duration films scrutinize life on the economic margins of his native China.
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Kurt Schwitters
This year marks the one hundredth anniversary of Dada, and so it seems fitting that Galerie Gmurzynska, which is situated on the same block as the original Cabaret Voltaire, held an exhibition dedicat…
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Ghost Cinema
The supernatural is utterly natural in the films of Apichatpong Weerasethakul, who brings experimental techniques to bear on the intermingling of myth and daily life in provincial Thailand.
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Explore Our Art Partners
Writing and Non-Writing
Singapore-based Heman Chong addresses timeless epistemological questions—what do we know, and how do we know it?—through subtly conceptual, often semi-collaborative, “documentary” works…
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Do Tough Guys Art?: An Interview with Richard Vine
July 19 marked the release of SoHo Sins, an art world murder mystery by Richard Vine, managing editor of A.i.A. Here, artist and fellow novelist Travis Jeppesen interrogates the author on his…
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Ellen Cantor
Occupying two floors of the Künstlerhaus Stuttgart, this exhibition encompasses works on paper, including porn photo collages, as well as films both short and long. It is the second part of an exhibit…
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Regina Jos Galindo
A soldier inserts his gun into the vagina of a pregnant woman and pulls the trigger. Pieces of the dead fetus fall out of her womb. The head of a man who has just been decapitated is then shoved up he…
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“Rum, Sodomy and the Lash”
“Rum, sodomy, and the lash” is an aggressive exhibition, as suggested by its title, which was taken from a quote often (mistakenly?) attributed to Winston Churchill as a characterization of the naval…
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