Mark Manders’s work makes a good argument for banishing the term “contemporary.” It’s a silly term. Unlike “modern,” which projected futures for a range of now-failed ideologies and left its…
Pictures at an Exhibition presents images of one notable show every weekday
The art world is going west—or at least, bicoastal. Mainstays of the New York art world—the patently titled Venus Over Manhattan, Team Gallery, Maccarone—have (or soon will, in the latter…
Like Robert Colescott, another artist who did not hesitate to offend in his skewering of U.S. culture, Peter Saul has never toed the line of art-world taste (or tastefulness), remaining staunchly figu…
THURSDAY, MAY 7 Opening: “China: Through the Looking Glass” at the Metropolitan Museum of Art This year’s Met Ball honors China’s longstanding influence on the fashion industry—from…
Adam Lindemann went from trading media stocks to building a Latin radio and music company to opening a gallery called Venus Over Manhattan in 2012. Building on the success of his New York gallery…
On a recent afternoon, Dylan Brant, stepson of media mogul and art collector Peter Brant, whom he refers to as “Dad,” was in the office at Venus Over Manhattan, Adam Lindemann’s gallery on…
Whatever else he is—collector, dealer, rich guy—Adam Lindemann is also a man who respects stationary. Just a few days after he announced his gallery, Venus Over Manhattan, would open…
Price Check is a weekly column that looks into the price of works currently on view at commercial galleries. Have they sold? For how much? Are either or both of these answers shocking compared to the …
“A lot of these I haven’t seen since I sent them off!” the painter Peter Saul announced as he walked briskly around an exhibition of his work from the 1960s and early ’70s at the Upper…