Philippe Parreno
Philippe Parreno's recent show at Gladstone featured a newly edited version of the video, Anywhen in a Time Colored Space (2019).
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video installation
James Richards and Leslie Thornton
Despite the cheeky title, James Richards and Leslie Thornton's collaborative exhibition "Speed 2" was not an ironic commentary on popular culture.
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In Lessons of the Hour, Isaac Julien Offers a Stirring Portrait of the Great Abolitionist Frederick Douglass
If there were justice in the United States, Frederick Douglass's face would be on the twenty-dollar bill, not Andrew Jackson's. Douglass's speeches would be as well known as the Gettysburg Address…
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Claim Boundaries: Artists of the Northwest at Portland Art Museum
If we are to take the goal of foregrounding Indigenous values seriously, then "the map is not the territory" falls short.
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John Russell
British artist John Russell's recent exhibition at Bridget Donahue, "DOGGO," was stylistically inconsistent, conceptually capacious, and insouciant in tone.
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Lindsay Seers
In preparation for her powerful video installation Every Thought There Ever Was (2018), British artist Lindsay Seers interviewed Leff and listened to a recording of an avatar therapy session.
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B. Ingrid Olson on Martine Syms
Syms has her first solo institutional show in Chicago this fall at the Graham Foundation, whose programming centers on the relationship between art and the built environment.
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Zmijewski’s Video of a Game of Tag in a Nazi Gas Chamber Sparks Protests in Poland, Abroad
The work of Polish artist Artur Zmijewski is once again stoking controversy. The Associated Press has reported that a variety of Jewish groups and various officials have called on the Museum…
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Wholesale Memories
When Gretchen Bender (1951-2004) premiered her multichannel video work Total Recall (1987), she beat Paul Verhoeven to the punch by three years.
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Hockney Will Show His First Video Installation at the Whitney
The nine-minute film features 12 black-clad figures juggling colorful objects as they move though a brightly lit room. Hockney shot the piece in his Yorkshire studio
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Newswire
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