In the six large paintings on view in Elizabeth Malaska's exhibition (all works 2017), female nudes in strange interiors smoke, sleep, sob, or stare at smartphones.
Casspirs in their heyday evoked anger, dread, and seething resentment. These behemoths remain formidable, although memory of them is negligible among the post-1994 "born free" generation. But Ziman's…
This year's edition of Migrating Forms offered a program of challenging works that are arguably even more thought-provoking in their strange combination.