Editor’s Letter
In "The Creative Act," a short essay from 1957, Marcel Duchamp argues that artmaking is never truly a solitary activity.
- By
William S. Smith
Editor’s Letter
Though we publish this magazine every month for readers of the present, it's also true that we are producing a document for posterity.
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Editor’s Letter
The social gains of the postwar period were not bestowed by especially generous plutocrats. People fought for the city they wanted.
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Editor’s Letter
It would seem that no object could be more at home in the center of the art world, more secure in its identity as art, than a painting. Yet stories in this issue by Kirsty Bell and Stephen Westfall…
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William S. Smith Takes the Helm at Art in America
He has been on staff at the magazine since 2013.
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Bridges and Walls
"Build bridges, not walls." That was the mantra heard often at opening week events for Pacific Standard Time: LA/LA.
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First Look: Daniel Heidkamp
Concentrating on highly tended spaces, New York–based Daniel Heidkamp infuses landscape painting with irony and formal stylization.
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First Look: Anna K.E.
Brashness and self-deprecation combine in the architecturally strategic, multi-medium installations of this former dancer, a youthful émigré from Georgia.
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First Look: Elizabeth Jaeger
The Brooklyn-based artist's ceramic vessels and figures convey both decorative arts nostalgia and existential angst.
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Sharjah Biennial
Biennial themes are often underdeveloped, amounting to little more than mood-setting phrases that give a poetic gloss to eclectic displays of artwork.
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Newswire
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