William S. Smith Departs Art in America as Editor
He will leave to take up the role of head of digital and editorial content at Hong Kong's M+ museum.
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William S. Smith
Editor’s Letter
In "The Creative Act," a short essay from 1957, Marcel Duchamp argues that artmaking is never truly a solitary activity.
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Editor’s Letter
Though we publish this magazine every month for readers of the present, it's also true that we are producing a document for posterity.
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Editor’s Letter
The social gains of the postwar period were not bestowed by especially generous plutocrats. People fought for the city they wanted.
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Editor’s Letter
It would seem that no object could be more at home in the center of the art world, more secure in its identity as art, than a painting. Yet stories in this issue by Kirsty Bell and Stephen Westfall…
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William S. Smith Takes the Helm at Art in America
He has been on staff at the magazine since 2013.
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Bridges and Walls
"Build bridges, not walls." That was the mantra heard often at opening week events for Pacific Standard Time: LA/LA.
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First Look: Elizabeth Jaeger
The Brooklyn-based artist's ceramic vessels and figures convey both decorative arts nostalgia and existential angst.
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Sharjah Biennial
Biennial themes are often underdeveloped, amounting to little more than mood-setting phrases that give a poetic gloss to eclectic displays of artwork.
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Immerse Yourself
Only a handful of movie theaters around the country are equipped to screen Billy Lynn’s Long Halftime Walkas acclaimed director Ang Lee intended it to be seen. Centering on an Iraq War hero’s…
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Newswire
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