Farewell Our Globalism
Sampling China's post-Tiananmen avant-garde, the Guggenheim Museum evokes both fading one-world hopes and rising ethical divisiveness.
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Zhang Pelli
Breaking and Entering: In His Videos, Zhang Peili Destroys and Restores to ‘Capture and Emphasize Time’
In 1988, Chinese artist Zhang Peili presented one of his artworks on a television screen at a conference in Huangshan. The piece, a three-hour video, titled 30×30, has gone down in history as…
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Newswire
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