December 2015

FEATURES

FOCUS ON MIAMI

• The Doctor Is In:
  Art Basel’s Noah Horowitz, Ph.D., Hits the Beach Nate Freeman

 

• Growing Pains:
  Franklin Sirmans and the Future
  of the Pérez Art Museum Miami M.H. Miller

 

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• Wall Talk:
  What Should Museum Wall Labels Tell Us?
  Who Writes Them? Do We Even Need Them? Ann Landi

 

• From Planes to Brains to Outer Space and Ruscha:
  Paul Allen’s All-Embracing Aesthetic
  Fills His Newest Exhibition Space Patricia Failing

 

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EDITOR’S LETTER Sarah Douglas

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FILM

• Precarious Immortality:
  William S. Burroughs on Film Andrew Marzoni

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Q&A

• A Talk with Carroll Dunham Bill Powers

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DISPATCHES

• The Living Dead Dushko Petrovich
• A Weather-Controlled Synthesizer,
  Courtesy Robert Rauschenberg John Chiaverina
• Painting, IRL Andrew Russeth

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NEW YORK REVIEWS

• Trisha Baga Alex Greenberger
• Alberto Burri Meredith Mendelsohn
• Archibald Motley Mona Molarsky
• “For a New World to Come” Barbara Pollack
• Walid Raad Barbara Pollack
• Ulrich Rückriem Barbara A. MacAdam
• “Photographic Portraits from West Africa” & “Kongo” Lilly Wei
• Gego Lilly Wei
• Barnaby Furnas Alfred Mac Adam
• Robert Overby Alexa Lawrence
• Ofri Cnanni Maximilíano Durón
• Martine Syms Alex Greenberger
• Maureen Gallace Alexa Lawrence
• Martin Roth Maximilíano Durón
• “The Museum Imagined” Alex Greenberger

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NATIONAL REVIEWS

• Christopher Knowles Samuel Adams
• Nicholas Nixon Kenneth Baker
• “Strange Currencies” Annette Monnier
• Dan Levenson Alexandra Capria
• Charles Mayton Suzanne Muchnic

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INTERNATIONAL REVIEWS

• David Diao Barbara Pollack
• “The World Goes Pop” Elizabeth Fullerton
• Charlotte Salomon Helen Young Chang
• Zhang Dali Barbara Pollack
• Nira Pereg Keren Goldberg

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RETROSPECTIVE

• Is Dalí disgusting?
  and other excerpts from our archives

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